INÊS ANDRADE, piano and artistic director
RUI FERREIRA, clarinet


MIGUEL HENRIQUES, piano and chamber music masterclass
WENDY SWART GROSSMAN, “The Artist as Entrepreneur” workshop



Portuguese pianist Inês Andrade is an avid performer as a soloist and chamber musician, having presented recitals throughout Europe and in the United States. Recent engagements include performances at Carnegie Hall’s Weill Recital Hall, Boston Conservatory Theater, Centre Le Phénix (Switzerland), Centro Cultural de Belém (Portugal) and Alexander Girardi Hall (Italy). She has been praised for her “excellent technique and elaborated touch” (Diário de Notícias), after her performance of Grieg's Piano Concerto with the Lisbon Sinfonietta Orchestra. She has also appeared as a soloist with the NYU Symphony Orchestra, the ArtQuest Orchestra, the ESML Symphony Orchestra, and the Lisbon National Conservatory Orchestra. A passionate chamber musician, Inês is a prizewinner of the Portuguese Young Musicians Prize, in duo with violinist Tamila Kharambura. She is the co-founder of the Virtuoso Soloists of New York, and the Duo Pianíssimo. Inês holds a Bachelor of Music and a double Master's in Piano Performance and Pedagogy from Escola Superior de Música de Lisboa, and a Master’s degree from New York University. She currently studies with Pavel Nersessian at Boston University, where she is completing a Doctor of Musical Arts degree, and was recently distinguished by the Boston University Women’s Council for her academic and professional achievements. Former Adjunct Faculty at NYU Steinhardt, Inês is a Teaching Assistant at BU College of Fine Arts. She is the founder and artistic director of the Bendada Music Festival, a youth music festival in Portugal.



Italian pianist Edoardo Carpenedo impressed audiences in his American debut with “technical strength, sweet and singing tone, and deep sensitivity.” (Charleston City Paper.)  Edoardo has received numerous awards in national and international competitions, including the prestigious “Trofeo Febo Villani.” He has performed extensively in recital and as a soloist with orchestras around Europe, most notably in Italy, Switzerland, and Spain. Edoardo’s latest engagements include performances at Weill Recital Hall at Carnegie Hall, Lincoln Center’s Allen Room, and The Greene Space at WNYC & WQXR. He has been a guest artist for UNICEF Italia and Spoleto Festival USA.  Edoardo graduated Summa Cum Laude from the Trieste National Conservatory (Italy) at age eighteen. At a young age, he had the privilege of studying with Bruno Mezzena, a pupil of Arturo Benedetto Michelangeli, and Riccardo Risaliti, professor at the Imola International Piano Academy.  In the last six years, Edoardo’s main inspiration has come from working with concert pianist Jeffrey Swann, and, under his mentorship, Edoardo completed his Master of Music Degree in Piano Performance at NYU Steinhardt in 2013.  Edoardo is currently a doctoral student at Boston University studying with Pavel Nersessian. Edoardo is an avid chamber musician. Edoardo is also a passionate teacher and has served as an Adjunct Piano Faculty member at NYU Steinhardt. Edoardo is currently a Teaching Assistant for the Piano and Theory departments at Boston University - College of Fine Arts.



Italian violinist Erica Carpenedo has toured Europe, United States and Asia as a soloist, chamber and orchestra musician, performing at some of the world’s most breathtaking venues, such as Auditorium Parco della Musica in Rome, Orchestra Hall of the Chicago Symphony Center and Singapore’s Esplanade Concert Hall. As a soloist, Erica Carpenedo has been featured with the RGS Orchestra of Singapore, College of Charleston Symphony Orchestra, Camerata Strumentale Italiana, Orchestra Sinfonica del Conservatorio Giuseppe Tartini di Trieste, Orchestra Sinfonica del Veneto Orientale, and Piccola Orchestra Veneta.  She has shared the stage with extraordinary artists such as Maxim Vengerov, Janine Jansen, Gidon Kremer, Igudesman & Joo and 2Cellos, and performed under the baton of illustrious conductors such as Riccardo Muti and Daniel Oren. Erica Carpenedo’s beloved teachers and mentors include Ilya Kaler, Lee-Chin Siow, Igor Volochine, Pavel Vernikov, Olexsandr Semchuk and Caterina Carlini. She attended the master courses of National Academy of Santa Cecilia in Rome and the International Specialization Courses of Fondazione Musicale Santa Cecilia in Portogruaro. She holds degrees from Conservatorio Giuseppe Tartini di Trieste and DePaul University in Chicago, where she studied on a full scholarship. Erica Carpenedo is a laureate of MTNA Competition, International Competition Premio Città di Padova, National Competition Dino Caravita - Città di Fusignano, Competition Citta’ di Schio, and Premio Nazionale delle Arti. She is the recipient of Julian Hayes and Clifford Milton Award for Excellence in Strings, Grand Prix Anne Marie Bollo Rambaud, and Enrico Segattini Scholarship. Erica Carpenedo plays in a violin and piano duo with her brother Edoardo Carpenedo, and regularly performs in Chicago with her string quartet. She bonds her upbringing as a Classical violinist with passion for other music genres, as well as dancing and singing. She regularly performs with Chicago’s top big bands and latin jazz ensembles, collaborates with pop artists, and she is a member the CoverGirls Violin Show. In addition to performing, Erica Carpenedo deeply enjoys teaching her students. She is currently a violin teacher and chamber music coach at Merit School of Music and Alice S. Pfaelzer Tuition-free Conservatory in Chicago. Her students have won top prizes at national competitions and perform together in creative ensembles.



Yoni Avi Battat is an adventurous and collaborative violist living in Boston, MA. An active chamber musician, Yoni has performed in a variety of ensembles, bringing his explorative and inventive approach to audiences across the U.S. and Europe. His groups have received guidance from many acclaimed musicians, including members of the Emerson, Lydian, Pacifica, Muir, JACK, Chiara and Borromeo string quartets. Yoni has served as principal violist for the Cape Ann, B.U., and Brandeis symphonies as well as engagements with New Haven Symphony, Boston Philharmonic Orchestra, and many others. An advocate of contemporary music, Yoni works regularly with living composers of all ages to workshop, premiere and record new works for solo viola and for small ensembles. Outside of classical music, Yoni is an accomplished improviser, fluent in several non-western musical traditions including Jazz, Klezmer and Middle-Eastern. He has performed and recorded with many such bands including, Two Shekel Swing, Cataklezm and the Nu Haven Kapelye. A dedicated music teacher, Yoni has a large studio of over twenty private viola and violin students. He also is the Deputy Director of the Elm City ChamberFest, where he coaches high schoolers through their first encounters with chamber music. Yoni received his B.A. from Brandeis University and his M.M. from Boston University, studying viola with Karen Ritscher, Mary Ruth Ray and Mark Berger.  



Gracie Keith began playing the cello at the age of five and since that time has performed world-wide. While completing her Bachelor Degree in music performance at Baylor University, she was a member of the Waco Symphony and taught at the Central Texas String Academy.
Since moving to Boston, she has completed a Master’s degree from Boston University where she currently still resides pursuing a Doctorate of Music Arts.
Recent performance engagements include guest artist performances at the Garth Newel Music Center, as a soloist with the New England Repertory Orchestra, Artist-in-Residency at the Dedham School of Music and a highlighted performance in the Keyword Initiative concert series hosted by Boston University.
Gracie was able to develop her passion for music because of her inspiring music teachers in the public school system of Houston, TX.
Music accessibility and education is an important focus for Gracie so in addition to performing, she has become an avid teacher and currently teaches music in the public school system of Brookline, MA.  

RUI FERREIRA, clarinet


Born in Almoçageme (Portugal), clarinetist Rui Ferreira performs frequently as a soloist and chamber musician. He has received prizes in several national and international competitions, such as the Luso-Spanish Competition, the Portuguese Young Musicians Competition, and the International Young Artist Competition. He has performed in Europe's most prestigious recital halls, including the Auditorium of the Calouste Gulbenkian Foundation in Lisbon, the Konzerthaus in Berlin, and the Palau de la Musica in Valencia. As an orchestral musician, Rui has collaborated with the Orchestra del Teatro Massimo, the Chamber Orchestra Lugano, and the Schweizer Jugend Sinfonie Orchester, among others. In July 2018 he was a guest soloist with the Orchestra della Svizzera Italiana, performing Carl Nielsen's Concerto for Clarinet, Op. 57. Rui holds a degree in music from the Academia Nacional Superior de Orquestra (Portugal), where he studied with Professor Nuno Silva. Based in Switzerland since 2014, Rui has received his Master's Degrees with highest honors in Performance and Solo Clarinet at the Conservatorio della Svizzera Italiana, under the guidance of François Benda.
Rui Ferreira regularly plays with the Orchestra del Teatro Massimo Bellini (Italy) and he holds the positions of first clarinet with the International Chamber Philharmonic Orchestra (Switzerland) and second clarinet with the MPMP Ensemble (Portugal).


Margarida Quítalo, a native of France, began her musical studies at the École de Musique de Thonon-les-Bains. In Portugal, she studied at the Conservatório Regional de Música da Covilhã and at the Escola Profissional de Música de Arcos do Estoril. Ms. Quítalo attended masterclasses all over the country and abroad (Switzerland, Sion), with teachers such as Trevor Wye, William Benett, Benedeck Csalog, Catherine Rawdon and Edwin Gordon. From 1996 to 2000, she performed with the Orquestra Sinfónica Juvenil (Lisbon, Portugal) and collaborated with the Flute Quartet "DAKAPO". She is also the founder of Duo "MUSINOVIS" and "Duo inTempo". In 2000, Ms. Quítalo graduated from the Escola Superior de Música de Lisboa with a Degree in Flute, studying in the studios of professors Anthony Pringsheim (flute), and Fernando Fontes and Olga Prats (chamber music). In 2017, Ms. Quítalo graduated with a Master Degree in Music Teaching and Education. 
She has taught transverse flute and chamber music at the Oficinas de S. José, at the Colégio Salesianos in Lisbon, at the Conservatório Regional de Música da Covilhã, at the Associação de Cultura Canto Firme in Tomar, and at the Academia de Música e Dança in Fundão.
She is currently a teacher at the Academia de Música e Belas Artes Luísa Todi in Setúbal and the Conservatório Regional in Palmela. 



During the last years Diogo Andrade has performed solo and chamber recitals in Portugal, Spain, Italy, Belgium, Germany, and the Netherlands. He was awarded in national and international competitions and participated in several festivals. Diogo collaborated with RTP1, Antena 2, Radio Punto and Limbug1. He performed in masterclasses with renowned professors such as Dejan Ivanović, Michel Sadanowsky, Margarita Escarpa, Jéremy Jouve, Judicael Perroy, Lorenzo Micheli, Andrea de Vitis, Goran Krivokapić, Zoran Dukić, Jérôme Ducharme, Marcin Dylla and Leo Brouwer. Diogo began his studies in classical guitar at the Conservatório de Música de São José in Guarda, studying with Professor Hugo Simões. In 2013 he graduated from the conservatory with the highest honors. Mr. Andrade holds a Bachelor’s Degree from the Conservatorium Maastricht, where he studied with the prestigious Maestro Carlo Marchione and Professor Roman Krejći. He was awarded the Merit Scholarship of the Conservatorium Maastricht Foundation (2015/2016). He is currently finishing a Master’s in Music Education and Pedagogy at Universidade de Aveiro under the guidance of Professor Pedro Rodrigues. Diogo Andrade plays guitars of the Greek luthier Alkis Efthimiadis and uses D'Addario / Savarez strings.



Countertenor and conductor António Lourenço Menezes started his musical studies at Jaime Chavinha Conservatory (Minde, Portugal), where he studied saxophone. He holds degrees in Choral Conducting and Music Education from the Escola Superior de Música de Lisboa and has studied at the Zoltán Kodály Pedagogical Institute in Kecskemét, Hungary. António is currently completing a master's degree in Orchestral Conducting at Escola Superior de Música de Lisboa, under Jean-Marc Burfin, as well as a performance diploma in voice at the Lisbon National Conservatory, where he studies with Ana Paula Russo. António has also studied with conductors Paulo Vassalo Lourenço, Clara Coelho, Vasco Pearce de Azevedo, Pedro Teixeira, Werner Pfaff, Cemi'i Can Deliorman, Katalin Kiss, and Adriano Martinolli D'Arcy, among others. As a countertenor, he has been coached by Filomena Amaro, Renata Darázs, Ana Paula Russo, and Ana Leonor Pereira.
António is the principal conductor of A Cappella Ensemble, and choirs Vozes do Castelo and Gaudia Vitae. He regularly collaborates, as a choir member, with ensembles Americantiga (Cappella dei Signori), Officium, MPMP, and Avres Serva. As a soloist, António has performed J. S. Bach's Magnificat and Mass in B minor, A. Vivaldi's Gloria, and C. Saint-Saëns's Christmas Oratory,  among others.



Miguel Henriques has established a distinguished career as a pianist, conductor, and pedagogue over the past four decades. He has performed in concert stages around the world, in solo and collaborative recitals as well as a guest soloist with major orchestras. His concerts have been documented in more than 160 videos, and he has released six commercial recordings. A native of Portugal, Miguel Henriques holds a Graduate Performance Diploma from the Moscow State Tchaikovsky Conservatory, a master's degree in Piano Performance from the University of Kansas, and a Ph.D. in Music from Universidade Nova de Lisboa. His main teachers included Ernestina Silva Monteiro, Gleb Akselrod (student of Grigory Ginsburg), and Sequeira Costa (student of Vianna da Motta). A much sought-after pedagogue, Miguel Henriques has been a Piano Professor at Escola Superior de Música de Lisboa (Lisbon Music University) since 1990, guiding a vibrant class of young pianists who have been developing successful international careers in music. Professor Henriques has written numerous articles in several publications. He is the author of the book "The (Well) Informed Piano - Artistry and Knowledge," published by University Press of America. He currently serves as the director of the Escola Superior de Música de Lisboa and is the conductor of the Camerata Gareguin Aroutiounian.



With a background in presidential politics (Clinton and Nelson Mandela) Wendy Swart Grossman is an educator as well as a nonprofit and foundation consultant. With expertise in building effective partnerships, innovation/ideas generation, strategic planning, creative fundraising, storytelling and workshop facilitation Wendy is a connecter, organizer, thought partner, logistical wizard and visionary advocate. She has held positions at Harvard’s Museum of Science and Culture and the Graduate School of Design as well as The Science Museum in London, UK. Boston based clients include the Social Innovation Forum, The Charlotte Foundation and BU’s BUild Lab. Wendy has been an Adjunct Lecturer at Boston University since 2013 teaching Creative Economies and Social Impact as well as Cultural Entrepreneurship. At Harvard University’s iLab she has led workshops and judges the Dean’s Challenge for Cultural Entrepreneurship. A Cultural Entrepreneur herself, she is the author of Behind the Wheel: A Mother’s Journal of a Year on the Road. She has been to Nepal three times, recently summiting Everest Base Camp (18,500’). Wendy holds a BA in Economics and Political Science from St. Olaf College, Northfield, MN and a MA in Urban and Environmental Policy from Tufts University.